In case you are the type of person who supports Bill Zebub’s movies, a new Kickstarter has been launched for Zombiechrist.
Have a look!
https://www.kickstarter.com/projects/billzebub/zombiechrist
Share the hell out of that link.
In case you are the type of person who supports Bill Zebub’s movies, a new Kickstarter has been launched for Zombiechrist.
Have a look!
https://www.kickstarter.com/projects/billzebub/zombiechrist
Share the hell out of that link.
The news of a new Gorguts album was so exciting that I swallowed my criticism of the title, which I think should be “From Wisdom to Hatred.”
Gorguts was a straightforward death metal band in the early days, exemplified by the album “Considered Dead” which is still solid after all these years. I heard the demo that led to the band getting signed, and it was unrecognizable because it was muddy and thoroughly indistinct. The person who signed the band either was a master who could peer through the bad production and see a gem, or there was hype about the band and it was wise to take a chance.
Eventually, Gorguts took bold chances in structure, timing, and complexity. I was lucky enough to catch them at a show after which I talked to members bout the changes. I applauded the dynamic style, and the vocalist agreed that the songs were not linear, and the volume levels were not always the same within the songs. Of course, this was before the trend of maximizing and compressing the audio so that there was no longer a visible waveform that could be seen in audio software; modern music favors each song to look like a brick in such programs. There are no peaks and valleys in such production. It’s an artificial volume boost, so-to-speak.
I didn’t check the waveform for this album because the only thing that should matter to you is that the band is still one of the reigning champions of experimental death metal.
The album is available from MDD Records, a German label that I had not heard before this release. Fear not; the album has good distribution and you should be able to find it easily.
If you are new to Gorguts, then you might need to graduate from other, less adventurous death metal first. This is not something that makes you tap your feet, and you must invest time because not much of the material is easy to remember. Listening to this album is like a puzzle. You can try to predict how riffs will resolve or abruptly change, but you will probably be wrong. If this is an experience that you think you will relish, then yes, feel free to try this without previous exposure to such music.
There is something for every musician to savor, except maybe a keyboard player, ha ha, even though there is s sprinkling of synthesizer.
Not all is wacky. There are phrases that are very easy to follow and that provide what one usually seeks in solid death metal, but this band is of a high class that might lose you if you seek blind aggression, mosh parts, or your mother.
I saw this movie on DVD when it first came out and was impressed for many reasons, one of which was the originality.
This Bluray edition is released by Unearthed Films. There is another movie with the same title, so look for the one that was made by Marcel Sarmiento and Gadi Harel. The Unearthed Fims Bluray is the unrated director’s cut.
If you were a teen male in America, you might have been asked a question that might still be going around these days, “If you were on a beach and a girl who drowned suddenly washed up on shore and her body was still warm, would you fuck her if there was no one around?”
This movie answers that question.
Of course, when I heard this question as a virgin 13-year-old, I didn’t know that a freshly-drowned person could be revived, or perhaps I was so struck with the image of a hot bikini-clad woman that I could only think of finally seeing boobs in real life (especially since the question primed me to consider sex). I think the question should be re-phrased as “Would you feel up her boobs while giving CPR?” but I don’t think this is actually a serious question. I don’t think it would ever be presented in an ethics class.
The story is a rather demented coming-of-age story in which a couple of young males discover a fresh-looking naked female corpse that seems to have been bound and raped in an abandoned building, and covered in plastic after her murder.
One of the males reflexively wants to call the police, but the other male does not see any urgency. Why not indulge some virginal curiosity?
This is the beginning of the many conflicts of the story which masterfully weave into and separate from each other. It’s a master class in writing.
Visually, the movie-makers made bold decisions. The subject matter is taboo and reviled, but the tale is presented elegantly and bravely.
In my reviews, I try never to spoil story elements. Rather, I like to inform you about what is good (or bad), and for you to decide whether or not to buy (or steal, if you are a scumbag), the movie. (If you love a movie or an album, you should purchase it. Keep killing creators and don’t be surprised if all that is left is mainstream garbage).
As shocking as this movie may seem to be to an average person, it is clever and multi-dimensional. If you are the kind of idiot who sees a nipple in a horror movie and instantly cries that it is porn, then this is not the flick for you. If you are not an idiot, then you will savor the story for its many astounding and poignant components. It’s visceral, but it is also sublime. You should treat yourself to this movie.
This edition is packed with extras. I can’t gush enough so let me end the review here.
BREAKING HER WILL has been out of circulation for a while. Die-hard fans have begged for a re-release. It’s a cautionary tale. Do not lend your Bill Zebub movie. You might not get it back. Auction sites have sold this movie for over $200.
THIS IS THE LINK TO THE KICKSTARTER FOR BREAKING HER WILL https://www.kickstarter.com/projects/billzebub/breaking-her-will
Bill Zebub wants to re-film this movie, which is one of the reasons why he never allowed the original version to be re-released.
The new Kickstarter campaign is a test. So far, fans have funded the DVD. The next goal is to make this a Blu(e)ray release. The ultimate goal is to fund a completely new movie. Fans get to decide the fate.
The DVD (or Blu(e)ray) will contain a re-edit. During this campaign, there is the option of obtaining a BD-R of the original cut. When Bill Zebub re-releases a movie, he re-edits it for two reasons. One, is that he wants fans who invested in the original movie to sell their units at collector prices (and people who purchased the movies from auction sites at large prices won’t have their investments deflated). The other reason is that most movies in the past had to meet strict deadlines. Editing had to take place within a short period. Some rash decisions had to be made. Also, Bill Zebub has more skills now, and he has different ideas.
There are plenty of other goodies in this Kickstarter, so make some coffee, tea, or urine, and have a thoughtful look. Carefully select the treats that will satisfy you the most. Also please spread the word about this. You might underestimate the effect that you have on other people.
THIS IS THE LINK TO THE KICKSTARTER FOR BREAKING HER WILL https://www.kickstarter.com/projects/billzebub/breaking-her-will
Bill Zebub returned to WFMU. You can hear his first show of the new season here https://wfmu.org/playlists/shows/129904 – in that playlist there is a pop-up player.
You can consult the playlist when you are curious about the song.
The debut show was a bit more of a mix than is usual for Bill Zebub’s “Vortex of Chaos” and it shall evolve over time. When Bill Zebub’s show was in an overnight slot, he favored the ultra slow and melancholy doom, as did the listeners, but the new time slot is Thursdays from noon-3 pm (New York time zone). Adjust your time zone and your underwear appropriately.
To catch the stream live, simply go to https://wfmu.org/sheena Thursdays noon-3 pm NY time. You can participate in the chat. You can also comment on the playlist if you stream after-the-fact.
Indulge your curiosity and discover music you haven’t heard before. Of course, there will be some known artists, like King Diamond, but there will be much that almost never gets radio play. This radio station is not forced to play the hits. It is an exploration. Come in with an open mind. Also, each show may vary. It’s not like a box of chocolates because you always know what is in the box of chocolates. In fact, most boxes of chocolates provide diagrams that reveal what is inside each one. The only way this metaphor works is if you have a blindfold and have no idea what is going to be placed into your mouth. It might not even be chocolate, depending on the ethics of the experimenter. Now THAT is thinking outside of the box of chocolates.
https://vimeo.com/ondemand/catherinespain CATHERINE’S PAIN is now available for streaming or download.
ou may wonder why a sale has these movies for $65. That is because the post-crowdfunder price is $100. Some are limited to 50 units and some are limited to 100 units.
You can obtain these for your personal collection or you can invest in them for future resale. These movies are uncensored, hand-numbered, and autographed by Bill Zebub. Will they really increase in value? Well, normal editions that were not autographed and obviously not limited or hand-numbered have sold for $700 after a few years of going out of circulation, and some of those titles replicated over 8,000 DVDs, so they were not exactly rare.
There are a few uncensored units of Santa Claus: Serial Rapist, Dicknado, and Absurd Horror, so the pics were not listed (they will sell out).
Obviously, this is for the ultra fan (or an investor). Email bill@billzebub.com for ordering information.
Fans have begged for a way to see the long out-of-circulation movie “Rape is a Circle.” Now is your chance to own a re-edit.
Visit https://www.kickstarter.com/projects/billzebub/catherines-pain and take a look at the delicious selections. If you are one of the people who only stream, you can still support the re-edit by pre-ordering the digital version. Of course, you can get the autographed DVD for less than ten billion dollars, which is quite a savings.
Please share the fuck out of this.
Stale Popcorn and Sticky Floors is an entertaining documentary about early exploitation movies. A variety of actresses and movie-makers are interviewed, providing some insight into a past era.
Some shots from the movies are provided, with boobs, but it seems that they are taken from VHS masters. This is acceptable because this is a documentary, and also because there are uncensored boobs. Some documentaries censor the footage.
I have seen some of the movies, like Street Trash, so I enjoyed learning about the process of filming and later distribution. Every movie that I did not see is going to be purchased because of how interesting the documentary makes them. I really mean that. I am buying every single title that I have not yet seen.
I was fortunate to have seen a couple of documentaries about 42nd Street and how important the theaters were for this class of film. While some movies, like Re-animator, were more widely released, it’s still interesting how that tiny section of New York City cultivated the indie film community. I was too young to have been part of it. This documentary only references that part of cinema history. You will have to see something dedicated to that subject.
The style of this documentary is cordial and down-to-earth. You get to see people talk about myriad topics in an off-the-cuff manner, and their words are given lots of breathing room. If this were a more polished documentary, the talks would be cut up and the pacing would be artificial.
I liked this so much that I am going to watch it again as soon as I finish typing this review.
I am surprised that there is a second movie, whether it is a sequel or not. The first one was disappointing in many ways. That story led three average people into an underground sex club that had zero sex and no nudity. That made me think that the moviemakers were shy. This guess was supported by the behind-the-scenes footage in which a camera guy kept trying to take shots of a girl’s legs, and she scolded him each time, even pulling down her conservative skirt here and there. Didn’t the camera guy know that movies can have nudity?
Seriously, if the environment of the movie is a criminal sex club, why is there no sex? The moviemakers should have stuck with a topic that they could handle, like how to wear baggy clothes and have stupid gore. Yes, even if the movie showed a tit, the gore was ridiculous. In one scene, a girl had her scalp cut at the hairline. The villain was to scalp her, which might have been interesting, but that knife miraculously cut the skull open, exposing the brain. Why don’t ignore people spend twenty minutes with a biologist, trauma doctor, or some other person who could inform them that one cannot open a skull with a knife?
Horror is considered an idiotic genre by some, and this is one of the reasons why. In Texas Chainsaw Massacre, a person was hoisted onto a meat hook and seemed to only react as if he were suspended by a belt, seeming to only exhibit mild discomfort. I won’t go into the various things that should have happened, because I shut the movie off at that point and didn’t watch it again until after twenty years or so, and I still considered it stupid. It was also idiotic when, in Nightmare on Elm Street, the villain was revealed to be the offspring of a nun and one hundred maniacs. Did the writer not know that it only takes one sperm to conceive? That is another movie that I shut off immediately after that kind of idiocy.
My expectation for this new movie was very low, especially with the introduction of a woman who wore a skirt that her grandmother would have considered conservative. If the girl is supposed to be a sex-worker, shouldn’t she dress in more tantalizing garb? Again, if a person is afraid of nudity or women, perhaps a different environment should be chosen. The only horror in the first movie was that of the moviemakers who were terrified of nipples. Oh wait, there are nipples in this one, but they are male. A fat man with short hair and corpsepaint delights in gay bondage, which made me keep my eyes off the screen, so I have no idea what happened. Probably some stupid gore.
Not a single attractive person or anyone with on-screen charisma appeared yet. It was just a series of over-acting dullards. But I held hope that there would be some pay-off.
After much gayness and silly dialogue, there was a female victim, but she wore more clothes than someone in a blizzard.
It seems that the person who made the movie thought that he could make a cheap version of Hostel, but I had given up on deriving any entertainment from the movie so I didn’t care about what was happening on screen anymore. I just wanted it to be over.
There was one woman who was nude, with of course only brief glimpses of her flat chest. I had spaced out by this point so I don’t know what happened, other than cheesy attempts at skinning a silicone prop. Again, just a little research would have resulted in scrapping the idea of peeling a person like a banana.
The movie was too gay for me. I found myself looking away from the screen a lot because I just don’t swing that way. I can’t cite a single thing that I liked, and believe me, I tried to find something to compliment. I have no idea what kind of person would like this. It seems to have been written by a social retard who created characters he thought were cool, but no one who actually IS cool would watch. Sadly, I cannot give you any reason to give this movie a chance. I only watched the whole thing because I had to write a review.